![]() This track and “Omega” lever brief passages of blackened screams and blast beats to introduce fire and fury, but the latter in particular blends this with a Hammond organ in its transitions, indicating progressive proclivities which become more apparent the longer the album runs. I suspect it’s an approach designed to lure genre fans before introducing what makes Slow Fall a little different.Īs you reach the last few minutes of the “Obsidian Waves” the band reveals their deception. ![]() They don’t do anything you’ve not heard before but you’ll hear a competent mix of the features that make melodeath enjoyable. 1 Obsidian Waves’s initial arrangements step down a path well-trodden, principally chasing energy and melody. ![]() The chorus swells into something bold and heroic, divined from Whoracle. “Polaris” sports a speedy, melodic, synth-supported style that particularly evokes Omnium Gatherum, synchronizing chugging riffs, rhythmic harsh vocals and a melodic shredding layer at the top of the mix. The passage of the opening few tracks belies a deep familiarity you will already have with the Finnish melodeath scene. Their debut attained high marks from these very pages, while the one sheet promised a more progressive slant, so I began my journey into the black tides with high hopes. Another band in the despondent deluge is Oulu’s Slow Fall, primed to reveal their second full-length album entitled Obsidian Waves. Whether this flows from long, cold winter days or the characteristic Finnish solitariness is unclear but what’s more clear is the emotive impact of the music. Since the late 90s, Finland has been the spiritual home of sadboi melodeath an idiosyncratic brand of melodic death/doom metal featuring weeping guitars, dejected rhythms, and a typical blend of pained growls and morose clean singing.
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